Doctor Geoff is what the English call a "heartthrob". A man of
understanding and sympathy, charming and unthreatening, aware of his
shortcomings, unaware of his qualities, both serious and funny. To put
it shortly: the ideal man! Confronted with this description, Robert
says: 'Bearing in mind that the part of Geoff isn't far from who I
really am, I should take this as a great compliment. My mother was right
after all!' Grinningly adding that Geoff is a bit more of a wimp than
Grubb really is.
With his hooked nose in the wind Robert Grubb is standing on the forward
deck of a water taxi, that carries him through the canals of Amsterdam,
and is enjoying the historical atmosphere wholeheartedly. 'In Australia
you won't find this anywhere. I have read all the library books about
the middle-ages, but now I see them for the first time myself. A great
sight isn't it?'
This isn't work for him. If this stands against 32 hours of flying and a
bit of promotion then they can ask him more often. Again it appears how
little presumptuous the Australians are. Here he is also recognised but
like in his country it is not troublesome. 'Yesterday I was walking
somewhat lost through a museum and slowly a group of people was forming
who recognised me. An attendant saw that and she elegantly intervened.
She said: "You must be looking for the way out", and she led me to the
door.'
Later in the studio he is talking to some youthful fans for half an hour
and he is visibly touched when they offer him a bath towel with his
initials. Kisses are being exchanged to the absolute joy of the girls.
It is like Robert Grubb only became famous yesterday, but he already
takes part for four and a half years. He replaced Andrew McFarlane, who
left shortly after the series began. It was a chance out of millions for
the reasonably successful theatre-actor Grubb, who reached out for it
with both hands and a little fright. 'I thought that they needed a third
doctor, only after a while I realised that I had to replace Andrew. I
was reluctant to replace someone who did so well.'
'Before The Flying Doctors I did some film work, but I wasn't really
happy with that. I only started to feel good by the time we had shooted
half the film. I had a lot of trouble shaking down from the celluloid,
The Flying Doctors is also shooted on film and not on video. In the
first place you get a crystal-clear picture with great colours, but
there is also a difference for the actors. With video-shooting they
usually shoot chronological, but with film they shoot the scenes mixed,
like in a movie.'
'Like I expected the first few weeks were a disaster, but after that it
got better. I learned some tricks and got a lot of support from the
others. Unfortunately I have to say that everything I tried in the
beginning out of own initiative ended on the floor of the editing room.'
This triggers a laughter from Lenore, who is eavesdropping in the
make-up room. After the remark Robert made, she brings in mind a few
bloopers which vary from using swearwords during takes, and a kissing
scene that wasn't stopped with the usual "cut" and left them gasping for
air. A joke from the director!
The two "Flying Doctors" often tease each other, but anyone can see that
they are really good friends, if you didn't know any better you would
think they are a happily married couple. 'The fact that Lenore is my
direct counterpart has helped me a lot,' Robert admits. 'She is a great
actress, and sends out great tranquillity.' It is very quiet across the
room all of a sudden. 'In the beginning she got me over my insecurity,
because we often rehearse together, we are the two actors that the
director worries least about.'
'We always interfere with the scripts, this is being accepted and
appreciated. In fact Lenore and I are the spiritual mother and father of
our relationship on the screen. The writers weren't planning at all to
let us get together - something that is apparent but still doesn't
happen, was a nice dramatic theme for them - but we felt that the
tension, that was there for months had to get a way out. It wasn't
entirely free of self-interest because it was important for our
character development.'
That rises the question whether it is boring always having to play "Mr
Nice Guy". 'In that case you have missed a few episodes,' he firmly
says. 'Geoff can be a nasty man if you ask me, but you are right if you
mean that it is harder to play someone nice than a thief or a crook. And
I don't see Geoff doing anything underhand, he is too straight for
that.'
'But so what, we are talking about the success of the series. Coopers
Crossing is a closed community with very normal people and a few with a
special profession. It is situated in the sunny part of Australia, and I
want to say something about that later. The dramas you encounter are
human, it's very easy to identify yourself with them, and there aren't
really bad people in it. This concept appeals to the imagination of many
people, apparently all across the world.'
Would you be able to do this for another ten years? Robert: 'I suppose
so, of course I have other ambitions, but with a bit of luck I can make
use of this series. I'm counting on it that I can direct of few scenes
soon and maybe a whole episode. My goal is to direct a whole film.
Because of the tight filming schedule there isn't much time left to to
anything besides the series. The last thing I did was a play by Tsjechov,
I was playing a seedy-looking doctor, which caused a lot of amusement.'
What did you want to say about sunny Australia? 'Ah this, it may seem
nice and warm there, even hot, but the area has a strong climate-change.
Most of the time we were freezing on the set, while we had to look like
we were challenging the heath. The drops of sweat came out of a plant
spray most of the time. Certainly one of the darker sides of The Flying
Doctors.'
Robert has to go on for the rehearsals of a song he is singing tonight.
'When I was about 20 years old I was a crazy singer of a really weird
band from Tasmania,' he says to me while he is leaving. 'Can you imagine
that?!'
